Ryan St. Germain

Bondage man she called me as she attempted to wiggle her way free of her restraints. Her cadence and thick Scottish accent have a melodic quality to them that makes me nearly miss what she’s saying because of the effect that it has on whatever part of my brain that is that has decided that she speaks in music. I like to listen to her speak and I’m often too quiet during conversation because I don’t want the sound of my voice to interrupt it.

“Do you feel like a bad bondage man…” she asked me, because she was wiggling free. I smiled from behind her while unbuckling the straps and I told her that it didn’t.

“I’m sure you could have kept me if you wanted”, she said, or something to that accord.; I was inside of my head as I unbuckled the straps  enough that she was able to work herself free and I might not have heard her correctly.

There is a lightheartedness to Heidi that I appreciate. She possesses an awareness of herself that leads me to believe that she knows that people find her attractive but in the moments that she is shining the brightest, that isn’t the most significant thing about her. Her warmth leaves the most lasting impression on me, which is impressive in the fact that it does compete with her exceptional beauty. When we finished shooting and she said goodbye, I hoped that I would see her again.